Current Exhibitions

Drawing can be both an inward and a purposeful practice. But I want to get away from specific purpose, so I start off with random marks. A graphite frottage captures the rough surface of a rock onto paper. I then approach the paper, pen in hand. And each...

I consider my work conceptual photography with a performance aspect. For several years I have been placing books in certain environments and then photographing them. Often the environment is “natural.” The session begins when I place a book in a specific...

Art you madeArt you shall become.That's the lesson I've learnt..We're not made of stardustOr particlesOr a billion atoms runningUp and down our system.No.Art is what we're made of..Art is what we aspire to do..Art is what we inhaleand exhale..Art is...

A sensuous relationship to the natural world is the subject. I want to imagine a replica of a landscape that is not an imitation, but a reflection of my inner response to landscape and place. 

I am an installation and performance artist.  I love to sing, dance, paint the moment alive while being in nature.

The process of casting a form combines many different skills that all come together in a single moment as the liquid material is poured into the mold. The commonplace object, once remade, is transformed beyond its original familiar existence which was...

I’ve always sought out crayons, pencils and paper to scribble, sketch and draw as a child and that creative spark has carried me throughout my life. My focus in watercolor has been to continue that passion through washes and shapes with brilliant color for...

When looking at one of my pieces either monumental or modest in scale, I want you to sense that the particular and universal are accessible to you, and are also present in every living thing, every person that you see. To recognize unfathomable uniqueness...

I began photographing in 1972 after having dreamt I was a photographer.  I was 32 at the time, living in NYC, married with two small boys.  I took pictures of everything, eventually finding that people interested me the most.  Taking portraits is...

I want each painting to have a clear physical presence and to come forward from its place on the wall to meet you, the viewer. There is no illusion and no reference to anything beyond the thing itself. The driving impulse for me is always one of hopeful,...